{"id":145,"date":"2011-09-18T16:07:51","date_gmt":"2011-09-18T21:07:51","guid":{"rendered":"http:\/\/www.charliemccarron.com\/songaweek\/?p=145"},"modified":"2012-08-25T15:06:16","modified_gmt":"2012-08-25T20:06:16","slug":"week-4-kurtz-everything-burns-alike","status":"publish","type":"post","link":"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/","title":{"rendered":"Week 4: Kurtz &#8211; &#8220;Everything Burns Alike&#8221;"},"content":{"rendered":"<p><a href=\"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-recording-room-cropped.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-148\" title=\"nate-recording-room-cropped\" src=\"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-recording-room-cropped-1024x646.jpg\" alt=\"\" width=\"584\" height=\"368\" srcset=\"https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-recording-room-cropped-1024x646.jpg 1024w, https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-recording-room-cropped-300x189.jpg 300w, https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-recording-room-cropped-475x300.jpg 475w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><\/p>\n<p>This week&#8217;s song is a dark, cinematic one by my cousin Nate Graves (aka <a href=\"http:\/\/kurtz.bandcamp.com\/\">Kurtz<\/a>). It&#8217;s a complex production &#8211; vocals, keyboards, squeeze box, violin, bass, and a ton of other synth sounds stirred into the mix. On top of that, the song has tempo and time signature changes. In other words, it was a blast to produce!<\/p>\n<p><!-- degradable html5 audio and video plugin --><div class=\"audio_wrap html5audio\"><div style=\"display:none;\"><a href=\"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/kurtz-everything-burns-alike.mp3\" title=\"Click to open\" id=\"f-html5audio-0\">Audio MP3<\/a><script type=\"text\/javascript\">AudioPlayer.embed(\"f-html5audio-0\", {soundFile: \"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/kurtz-everything-burns-alike.mp3\"});<\/script><\/div><audio controls autobuffer id=\"html5audio-0\" class=\"html5audio\"><source src=\"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/kurtz-everything-burns-alike.mp3\" type=\"audio\/mpeg\" \/><a href=\"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/kurtz-everything-burns-alike.mp3\" title=\"Click to open\" id=\"f-html5audio-0\">Audio MP3<\/a><script type=\"text\/javascript\">AudioPlayer.embed(\"f-html5audio-0\", {soundFile: \"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/kurtz-everything-burns-alike.mp3\"});<\/script><\/audio><\/div><script type=\"text\/javascript\">if (jQuery.browser.mozilla) {tempaud=document.getElementsByTagName(\"audio\")[0]; jQuery(tempaud).remove(); jQuery(\"div.audio_wrap div\").show()} else jQuery(\"div.audio_wrap div *\").remove();<\/script><br \/>\n<strong><a href=\"http:\/\/charliemccarron.com\/musicftp\/kurtz-everything-burns-alike.mp3\">Everything Burns Alike<\/a><\/strong><br \/>\nby Kurtz<\/p>\n<p><em>Let&#8217;s try the one where we<br \/>\nFeed the bears<br \/>\nOh what love<br \/>\nOh what terror<br \/>\nI will mix sugar<br \/>\nWith blood<br \/>\nAnd feed, feed us<br \/>\nTo the young<\/em><\/p>\n<p><em>Uh oh, uh oh<\/em><br \/>\n<em> Uh oh, uh oh<\/em><br \/>\n<em> What is happening?<\/em><br \/>\n<em> Uh oh, uh oh<\/em><br \/>\n<em> Uh oh, uh oh<\/em><br \/>\n<em> I am stuck again<\/em><br \/>\n<em> Uh oh, uh oh<\/em><br \/>\n<em> Uh oh, uh oh<\/em><br \/>\n<em> Let&#8217;s try the one&#8230;<\/em><\/p>\n<p><em>Let&#8217;s try the one where we<\/em><br \/>\n<em> Shoot the gun<\/em><br \/>\n<em> Oh what hell<\/em><br \/>\n<em> Oh what fun<\/em><br \/>\n<em> I&#8217;ll eat rocks<\/em><br \/>\n<em> And shards of glass<\/em><br \/>\n<em> Oh discomfort never lasts<\/em><\/p>\n<p><em>Uh oh, uh oh<\/em><br \/>\n<em> Uh oh, uh oh<\/em><br \/>\n<em> What is happening?<\/em><br \/>\n<em> Uh oh, uh oh<\/em><br \/>\n<em> Uh oh, uh oh<\/em><br \/>\n<em> I am stuck again<\/em><br \/>\n<em> Uh oh, uh oh<\/em><br \/>\n<em> Uh oh, uh oh<\/em><br \/>\n<em> Let&#8217;s try the one<\/em><\/p>\n<p><em>Where we bash our skulls<\/em><br \/>\n<em> Up against the wall<\/em><br \/>\n<em> What am I saying?<\/em><br \/>\n<em> Which one is this thing?<\/em><br \/>\n<em> The one where I-<\/em><br \/>\n<em> Where we-<\/em><br \/>\n<em> But wait<\/em><br \/>\n<em> But please<\/em><\/p>\n<p><em>I get thinner<\/em><br \/>\n<em> I get faster<\/em><br \/>\n<em> I get perfect<\/em><br \/>\n<em> For disaster<\/em><\/p>\n<div id=\"attachment_149\" style=\"width: 594px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-keyboard.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-149\" class=\"size-large wp-image-149\" title=\"nate-graves-kurtz-keyboard\" src=\"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-keyboard-1024x768.jpg\" alt=\"\" width=\"584\" height=\"438\" srcset=\"https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-keyboard-1024x768.jpg 1024w, https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-keyboard-300x225.jpg 300w, https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-keyboard-400x300.jpg 400w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><p id=\"caption-attachment-149\" class=\"wp-caption-text\">Recording keys in Nate&#39;s basement<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>Nate&#8217;s been involved in a bunch of artistic projects worth checking out. Back in March he put out a futuristic concept album under the alias Kurtz:<\/p>\n<p><iframe loading=\"lazy\" style=\"position: relative; display: block; width: 400px; height: 100px;\" src=\"http:\/\/bandcamp.com\/EmbeddedPlayer\/v=2\/album=914186333\/size=venti\/bgcol=FFFFFF\/linkcol=4285BB\/\" frameborder=\"0\" width=\"400\" height=\"100\"><\/iframe><\/p>\n<p>Nate also produces <a href=\"https:\/\/www.facebook.com\/pavlovianbellmanproductions?sk=app_2392950137\">avant-garde films<\/a> with his brother Matt. The two of them are also members of the dissonant rock band <a href=\"https:\/\/www.facebook.com\/withagunforaface\">With a Gun for a Face<\/a>. Their stuff isn&#8217;t everyone&#8217;s cup of tea, but I think it&#8217;s all pretty fascinating and awesome.<\/p>\n<p><strong>Behind the Scenes<\/strong><\/p>\n<p>Our biggest challenge at first was figuring out how to do tempo changes while still keeping a metronome going. I&#8217;d messed around with that in Ableton Live once before, but this was the first time I actually used it for a song. It was really just a few steps of work though.<\/p>\n<ol>\n<li>Recorded a scratch track of the whole song<\/li>\n<li>Found the tempo of each section<\/li>\n<li>Mapped out the whole song in Ableton with the tempo changes (using envelopes) so our metronome would be right on<\/li>\n<\/ol>\n<p>After we got the basic keyboard part down, we went up to record Nate&#8217;s vocals in his attic recording room. He&#8217;s developed a pretty cool vocal technique of recording takes in a ton of different styles, all the way from yelling at the top of his lungs to whispering. That gave us a huge palette of vocal sounds to work with. We discovered that blending them all together turned out to sound really haunting and cool.<\/p>\n<div id=\"attachment_150\" style=\"width: 594px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-squeeze-box.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-150\" class=\"size-large wp-image-150\" title=\"nate-squeeze-box\" src=\"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-squeeze-box-1024x768.jpg\" alt=\"\" width=\"584\" height=\"438\" srcset=\"https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-squeeze-box-1024x768.jpg 1024w, https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-squeeze-box-300x225.jpg 300w, https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-squeeze-box-400x300.jpg 400w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><p id=\"caption-attachment-150\" class=\"wp-caption-text\">Recording squeeze box in the attic<\/p><\/div>\n<p>Next came the layering on of effect instruments. Nate recorded single notes on his squeeze box, and we pitch shifted them as needed to add a little organic drone to parts of the song. We came up with a few more synth lines and a simple MIDI drum part that night.<\/p>\n<p>Back at my place, I had one main task: make the chorus more intense. I happened upon an awesome sounding MIDI taiko drum (&#8220;taiko&#8221; actually just means &#8220;drum&#8221; in Japanese). So I came up with a pretty fast beat, using a lot of thunderous rolls. Then I tried to match that style with the bass part, and man, was my right arm dead after recording that chorus. It&#8217;s the most athletic bass strumming I&#8217;ve had to do.<\/p>\n<p>After that I dusted off my violin, which I was excited to try out for Nate&#8217;s song. For the pre-chorus and the bridge, I recorded two harmonizing lines. Then I tried out an effect called <a href=\"http:\/\/en.wikipedia.org\/wiki\/Col_legno\">col legno<\/a>, where you rotate the bow and use the wooden part to tap the strings. It&#8217;s an eerie effect used in a lot of classical music to evoke skeletons, evil, etc. One of the best examples is in Gustav Holst&#8217;s <em>Mars<\/em>:<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/AGGlL1wexQk\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<p>Sound like Star Wars to anyone else? Guaranteed John Williams listened to some Gustav Holst.<\/p>\n<p>Anyways, it was a fun song to work on. Hopefully Nate and I will do some more collaborating in the future.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week&#8217;s song is a dark, cinematic one by my cousin Nate Graves (aka Kurtz). It&#8217;s a complex production &#8211; vocals, keyboards, squeeze box, violin, bass, and a ton of other synth sounds stirred into the mix. On top of &hellip; <a href=\"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[9,7,8],"tags":[],"class_list":["post-145","post","type-post","status-publish","format-standard","hentry","category-behind-the-scenes","category-recording-tips","category-songs"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Week 4: Kurtz - &quot;Everything Burns Alike&quot; - Charlie McCarron&#039;s Song A Week Sessions<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Charlie McCarron\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/\",\"url\":\"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/\",\"name\":\"Week 4: Kurtz - \\\"Everything Burns Alike\\\" - Charlie McCarron&#039;s Song A Week Sessions\",\"isPartOf\":{\"@id\":\"https:\/\/www.charliemccarron.com\/songaweek\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-recording-room-cropped-1024x646.jpg\",\"datePublished\":\"2011-09-18T21:07:51+00:00\",\"dateModified\":\"2012-08-25T20:06:16+00:00\",\"author\":{\"@id\":\"https:\/\/www.charliemccarron.com\/songaweek\/#\/schema\/person\/218629962d17b688dd23ebe627fc86c2\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/#primaryimage\",\"url\":\"https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-recording-room-cropped.jpg\",\"contentUrl\":\"https:\/\/www.charliemccarron.com\/songaweek\/wp-content\/uploads\/2011\/09\/nate-recording-room-cropped.jpg\",\"width\":\"4000\",\"height\":\"2525\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.charliemccarron.com\/songaweek\/2011\/09\/week-4-kurtz-everything-burns-alike\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.charliemccarron.com\/songaweek\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Week 4: Kurtz &#8211; 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