Folk singer/songwriter Cameron Scott Boster posted his 24-song album on Reddit a few weeks ago and got a huge response from listeners. In Composer Quest episode 33, Cameron shares some of the stories behind his songs, and cracks me up in the process. He's heading off to law school in Virginia, so music is going to have to be a side project for him. After hearing his incredible live performances, I think you'll probably be with me in wishing that he continues on his songwriting path.
I'm pleased to announce the first ever Composer Quest concert! Join us for a fun night of music and hanging out with the podcast guests.
Cyborg percussion ensemble Jazari was created by "token human" Patrick Flanagan. He made a kind of robot drum circle that beats on acoustic bongos, cowbells, a djembe, and more. In episode 32 of Composer Quest, Patrick talks with me about his robot band, his day job creating musical iPhone apps, and his reasons for leaving the academic composing world to create dance music.
In episode 31 of Composer Quest, songwriter Matt Leavitt of the indie band Emot talks with me about his belief that the very first time you work on a song is often where the best ideas come from, and anything after that is just trying to recreate this spark of initial inspiration. We also get to hear Matt play a couple new tunes live from Emot's upcoming album, which they've been working on with producer Brian Moen (of Peter Wolfcrier and Laarks).
Brooklyn experimental duo Brian Wenner and Matt O'Hare talk with me about their production process in episode 30 of Composer Quest. In the latest Prism House EP, Reflections, Brian Wenner's beats are made from chopped-up field recordings of pop cans and squeaking doors. Matt O'Hare, the visuals man of the duo, is also a very talented musician. He explains how The Simpsons has helped him become an excellent throat singer.
Since starting my composing and songwriting podcast Composer Quest, I've discovered that podcasts are still a very mysterious thing for many people out there. As an active podcast listener and advocate, I will happily introduce you to this awesome new form of media.
I was thrilled to talk with Dr. Diana Deutsch, a pioneer in the field of music perception and psychology (she literally wrote the book on music psychology). Diana has discovered a number of famous musical illusions. Prepare to have your mind blown by the octave illusion, the scale illusion, the tritone paradox, the mysterious melody, and the speech-to-song illusion "Sometimes Behave So Strangely," made popular by Radiolab. Diana also explains how composers can benefit from studying these perceptual illusions.
Jazz Pianist George Maurer has been a working composer for over twenty years. In episode 28 of Composer Quest, George imparts his words of wisdom on making a living as a composer. He also shares tips on arranging music for orchestral instruments. George's latest project, Empire Builder, is a musical set on a time-traveling train, and we get to hear George at the piano, talking through his composition process for this musical.
My girlfriend Maia, also an audio nerd, gave me one of the best birthday presents ever - a tour of the "World's Quietest Room"! The Guinness Book of World Records bestowed this title on the anechoic chamber at Orfield Labs in Minneapolis, Minnesota. As we found out in our tour, no one makes a microphone sensitive enough to accurately measure the decibel level of the room, since there's virtually no sound at all.
Metal isn't for everyone, but guitarist Devin Earlywine is okay with making music 90 percent of listeners won't enjoy. In Composer Quest Ep. 27, Devin talks about how metal isn't all about doom and gloom. He even admits his band Idiopathic Necrotization started as a joke to have fun with the ridiculousness of the gore death metal genre. In most of his music, Devin tries to avoid thinking of his audience at first, so there are no roadblocks between the purest musical idea from his brain to the finished song.