Composing Quest 17: The Tattoo

I'm excited to announce our next composing quest, courtesy of Tim Cheesebrow and his forearm. Tim has been looking for a way to commemorate his family tree through music, and he's decided to leave it to Composer Quest listeners to write a "Cheesebrow family" melody. Tim will then choose his favorite composition, and TATTOO IT ON HIS ARM.

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Niche Songwriting with Jonathan Rundman

Jonathan Rundman's songs have appeared on the Ellen Degeneres show, the CBS Morning News, and NPR. He realized the success of these songs have been due in part to their narrow topics, like insomnia and wearing glasses. But Jonathan has recently shifted to writing songs with more "heart" than his journalistic lyrical past, after somewhat of a mid-life crisis and a purifying experience playing ancient Finnish music. In this episode of Composer Quest, Jonathan shares words of wisdom from his 25 years as a touring musician. We also talk about his podcast Creativity Drill, which he co-hosts with his wife Dawn.

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EDM Production Tips with Sam Matla

Sam Matla admits that his hometown of Wellington, New Zealand doesn't have a big electronic dance music scene. But he's been hard at work producing EDM tracks and educating people about electronic music through his blog and podcast at EDMProd.com. For today's episode of Composer Quest, I interviewed Sam about his production techniques and advice for new producers.

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Slot Machine Composing

Reelspins, rollups, symbols, celebrations, underscores - they're all different sound ingredients that go into a slot machine. In this episode of Composer Quest, I interview three guys in the sound department at High 5 Games about their unique challenge of making music for casino slots. We talk about the composition techniques they use to hook players into these elaborate slot machine story worlds. I also ask them how they feel about using their musical skills to get people to throw down money and press that button again "like a monkey looking for that frickin' shot of espresso," as Aldo describes it. It's a fun and quirky interview, and I hope you enjoy it as much as I did.

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Kevin MacLeod, King of Royalty-free Music

If you’ve been to an indie film fest, you’ve probably seen Kevin MacLeod in the credits. Or maybe you’ve heard his music in a cute cat video, or a Minecraft video, or in a department store, cab ride, or on hold. By writing an enormous amount of music and giving it away for free, Kevin has built his reputation as the single biggest royalty-free music composer.

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Game Jam Begins!

I'm excited to say that over 70 people have signed up for the "I Barely Survived That Game Jam" game jam. We have SIX CONTINENTS covered, including participants from Brazil, Taiwan, Australia, South Africa, Norway, Ireland, Germany, Sweden, Macedonia, India, UK, Canada, and the US. After forming teams based on everyone's skill sets, it looks like we'll have 17 games in progress this week. I can't wait to see what everyone comes up with!

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Jason Graves on Game Composing

Tomb Raider, Until Dawn, and the Dead Space series are some of the big-name video games Jason Graves has been scoring recently. In this episode of Composer Quest, Jason shares a ton of great composing, production, and music business advice, along with lessons he learned from his in-depth study of John Williams scores.

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Blind Film Composer Stephen Letnes

What is life like as a blind composer? It's a question I've wondered about, but haven't been able to ask until this interview with Stephen Letnes. In this Season 5 premiere episode of Composer Quest, Stephen shares his adventure into the unlikely field of film composing. We talk about Stephen's love/hate relationship with epic music, his advice for working with directors, and the piano performance that changed his life forever.

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Music Gear Master List

I had a request from a commenter to list the stuff I use to make music. I'm not a gear junkie by any means; in general I try to get by with spending the least amount of money I can for decent sound quality. Besides, limitations can help you be more creative! Any famous producer would tell you that quality mixes have more to do with a good ear than the gear itself. That said, there is a certain point you want to hit where your gear and software isn't holding you back from producing good mixes, at least to your ear.

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