A new TV show I scored just won Best TV Series at the Los Angeles Film Awards, possibly the biggest competition for indie film and TV. Incompleteness is a drama and dark comedy by David Ash, who I've worked with on several films, including Twin Cities.
Catalyst Story Institute asked me to host a 3-part series on music in film and TV, aimed at directors and producers. I talked with several talented Minnesotan guests, including Rick and Morty composer Ryan Elder and master orchestrator Robert Elhai, who has orchestrated around 200 films (Marvel movies, Batman movies, Alien movies, etc.).
I'm excited to announce this Composer Quest double episode with TV composers Fil Eisler (Revenge, Empire, UnREAL) and Mac Quayle (American Horror Story, Drive, Mr. Robot). First, we hear from Fil about what he learned while composing for an orchestra during four seasons of Revenge. He shares his tips on getting hired for composing gigs and his tips on scoring the entire arc of a show without getting musically stale.
Next, I interview Mac Quayle about how his dance music background (41 #1 Billboard Dance Hits!) influences his film and TV scoring. He gives some music mixing pointers and explains how to build momentum in a song or soundtrack.
When Jeff Russo's band Tonic hit it big in the 90s, he was just beginning to get interested in film and television scoring. Now his IMDb page is chock full of major TV credits, including composing for CBS's Hostages, 50 Cent's Power, USA's Necessary Roughness, Showtime's Weeds, etc. His most creatively fulfilling work, though, has been on the FX show Fargo, for which he just got an Emmy nomination. I'm excited to bring you my interview with Jeff, which marks the start of Composer Quest: Season 3.