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Season 4 Premiere: Brain Music with Roger Dumas

Roger Dumas was a synthesizer whiz kid back in the 70s. He wrote manuals for early Moog synthesizers, and he helped out Prince, Janet Jackson, and even John Lennon. He's also the guy behind the catchy synths in the disco hit "Funkytown." Now Roger has a new passion: studying the brain's response to music. He's done some pretty amazing work, including re-creating a melody out of the pure data from brain sensors. In this season premiere episode of Composer Quest, I talk with Roger about his research, his album based entirely on brain data, and his glory days in the music business.

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Composer Quest Episode 100: Mitchell Johnson Returns

For this special 100th episode of Composer Quest, I thought I'd invite back my songwriter guest from the very first episode: Mitchell Adam Johnson. If you heard that episode, you know Mitchell has a knack for bringing music theory into his pop songwriting. We talk about chord progressions, "bizarro" tritones, Motown bass lines, and deep questions like "What's the purpose of music?" Mitchell is releasing his first ever solo EP, Half Moon Lane, in just a few weeks, and this is a sneak preview of his beautiful new songs. Also, stick around until the end of the episode, and you'll get to hear a new song collaboration between Mitchell and me.

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A Concept Album for Every Season with Chris Koza

For the Season 2 finale episode of Composer Quest, I interviewed Chris Koza, who had the crazy idea to create four concept albums in one year, following the change in seasons. These Rogue Valley albums turned out to be a huge artistic success. One song even ended up in Ben Stiller's personal collection, and subsequently The Secret Life of Walter Mitty. Chris shares some songwriting tips and tricks, and we dig into the concepts behind his concept albums, like how he wrote a song for each of the 12 full moons.

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Songwriting Theory with Pat Pattison

At Berklee College of Music, Pat Pattison created the world's first songwriting major. He has taught a host of talented songwriters, including Grammy winners John Mayer and Gillian Welch. I was introduced to Pat through his free online Songwriting course (check coursera.org), and his method of "preserving the natural shape of the language" has really helped me analyze my own lyric writing. In this episode of Composer Quest, I ask Pat about his theory that our language can be interpreted like a piece of music, with a tonic note and harmonic structure. I also share music from The Happiness Project, in which Charles Spearin wrote music to match up with the speech patterns of his family and neighbors.

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Schizophrenic Synthpop Storytelling with Felix Frost

Experimental songwriter Ben Simon (aka Felix Frost) caught my ear when I was judging the SpinTunes songwriting contest. His album Phineas Flux has a really shiny pop sound, but it almost never repeats the same phrase twice (in fancy composer language, that's called "through-composed"). We talk about his elaborate plot-driven songs about cowboys and pirates in this episode of Composer Quest.

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Arranging New Standards with Chan Poling

Most famous for his songwriting in the new wave band The Suburbs, Emmy-winning composer Chan Poling has gravitated lately to performing pop music from other iconic songwriters. His jazz trio, The New Standards, features Chan on piano, John Munson (of Semisonic fame) on bass, and Steve Roehm on vibes. In episode 26 of Composer Quest, Chan talks with me about his arranging, songwriting, and film scoring.

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Social Media for Songwriters with John Anealio

In episode 20 of Composer Quest, Sci-fi songwriter and composer John Anealio shares tips on getting your music out to the online world without seeming like a narcissistic party-crasher. For example, following the 80/20 rule for Twitter and Facebook posts will keep your self-promotion in check. John also gives some helpful pointers on writing melodies, and he explains how even a simple song can employ one of Mozart's secret weapons - the Rondo form! John has also set forth a challenge to those who would accept: finish 23 pieces of art in 2013. He believes that if you don't finish and present your songs to the world, "you're just the guy talking about your art, you're not the guy doing it."

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